Brass
BrassDSP CTL · AMP ENV · DSP MOD · ENV2 · ENV3Synth brass is the filter's sound: closed when the note starts, opening as it swells, settling as it holds. ENV2 draws that swell on the cutoff; velocity sets how bright each note gets; a short drop in pitch at the start gives the attack a lip.
SEE IT MOVE
Computed in your browser with KINSPIRATION's engine, sample by sample, from each step's whole program: its oscillators, filters, envelopes, LFOs and effects. It is close to the K2700, not the K2700 itself.
WHAT TO KNOW
THE SWELL
ENV2's attack is the brass's breath: 0.1 s to 0.2 s. Faster sounds like a pluck, slower like a pad.
THE LIP
ENV3 on Saw Pch, Depth -24 ct, decaying in 60 ms: the note starts a little flat and settles.
IN THE FACTORY PROGRAMS
796 LP Frq rows read ENV2. Where it is on Source 2, its depth most often follows FUN2.
ENV2 ON LP FRQ · ITS ATT1
ENV2 ON SOURCE 2 · DEPTH CTL
FIND THEM ON YOUR K2700
HOW TO ON YOUR K2700 · your start
Build the brass on your start: two saws, a breath of attack, a closed filter that swells open by velocity, and a lip.
In Program mode choose your start, saved at the end of lesson 1 (My Sound, on its USER ID).
Press EDIT, DUP LYR, and on layer 2's DSP CTL the Saw Pch row's Fine to 6 ct.
Layer 1's Fine to -6 ct; on both, the Amp row to 0 dB.
Press AMP ENV: on both layers Att1 40 ms, Dec1 0.6 s to 85 %, Rel1 0.3 s.
DSP CTL: LP Frq F 4 349 Hz, on both layers.
Press ENV2: Att1 0.12 s, Dec1 0.8 s to 55 %.
DSP MOD: the LP Frq row's Source 2 ENV2, Depth Ctl ON, Max Depth 4200 ct.
Depth Ctl to AttVel: Min Depth 1500 ct, Max Depth 5400 ct.
Press ENV3: Att1 0 s at 100 %, Dec1 60 ms to 0 %.
DSP MOD: Saw Pch's Source 1 ENV3, Depth -24 ct. The same on layer 2.
Press SAVE, RENAME it, and SAVE it on a USER ID of its own.